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Unknown
First published: November 1, 2024 - Last updated: November 1, 2024
TITLE INFORMATION
Editors: Ellen C. Caldwell, Cynthia S. Colburn and Ella J. Gonzalez
Title: Gender Violence, Art, and the Viewer
Subtitle: An Intervention
Place: University Park, PA
Publisher: Penn State University Press
Year: 2024
Pages: 272pp.
ISBN-13: 9780271097176 (hc.) -
Find a Library:
Wikipedia,
WorldCat |
ISBN-13: 9780271097084 (pbk.) -
Find a Library:
Wikipedia,
WorldCat
Language: English
Keywords:
Modern History |
Types:
Rape;
Representations:
Art
FULL TEXT
Links:
- De Gruyter (Restricted Access)
- Google Books (Limited Preview)
- JSTOR (Restricted Access)
ADDITIONAL INFORMATION
Editors:
-
Ellen C. Caldwell,
Department of Art History,
San Antonio College -
Personal Website
-
Cynthia S. Colburn,
Department of Art History,
Pepperdine University -
Academia.edu
-
Ella J. Gonzalez,
Department of the History of Art,
Johns Hopkins University
Contents:
|
List of Illustrations / x |
|
Acknowledgments / xiii |
|
Introduction: Gender Violence and Art History / 1 Ellen C. Caldwell, Cynthia S. Colburn, and Ella J. Gonzalez |
|
Part 1: Reckoning with Violence in the Canon: Pedagogical and Art-Historical Approaches / 24 |
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1 Women and Violence in Ancient Greek Art: Subverting the Dominant Narrative / 27 Cynthia S. Colburn and Ella J. Gonzalez |
|
2 Invisible Casualties: Gender Violence in Assyrian Relief Sculptures / 39 Megan Cifarelli |
|
3 An Unmentionable History: The Stigma of Sodomy and Images of Violence Toward Queer and Trans Peoples in Premodern Europe / 50 Bryan C. Keene |
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4 Breaking the Silence: Depictions of Gender-Based Violence and Sexual Violation in Italian Renaissance and Baroque Art / 62 Lisa Rafanelli |
|
5 Teaching About Gendered and Racialized Violence in Colonial Mexican Art: The Case of Malintzin and Other Challenges / 74 Charlene Villaseñor Black |
|
Sexing the Canvas: The Rape Narrative of the Black Female Body in Western History Paintings / 87 Indira Bailey |
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7 Cultivating a Humanizing Gaze: Viewership, Consumption, and Complicity in Art and Film After #MeToo / 98 Ellen C. Caldwell and Natalie Madrigal |
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Part 2: Transformational Curatorial Practices: Shifting Educational Practices in Public Spaces / 110 |
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8 Subverting Patriarchy in Art Museums: Strategies for the Anti-Oppressive Art Museum Educator / 113 Hallie Rose Scott and Theresa Sotto |
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9 Why It’s Impossible to Separate the Art from the Artist: An Educator’s Experience with Gauguin and Picasso / 126 Veronica Alvarez |
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10 To Censor or to Teach: Educational Reflections on a Foundational Exhibition / 138 Monika Fabijanska |
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11 An Overwhelming Response: Gender-Based Violence and Contemporary Feminist Art / 150 Carmen Hermo |
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12 Bring Her Home: Awareness, Advocacy, Resistance, and Healing / 161 Angela Two Stars |
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Part 3: Art and/as Advocacy / 172 |
|
13 Gender Violence, Censorship, and Erasure: A Conversation with Ria Brodell About Contemporary Art, Practice, and Pedagogy / 175 Ria Brodell and Ellen C. Caldwell |
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14 Amio: Gender-Based Violence in Contemporary Bangladeshi Art / 187 Melia Belli Bose |
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15 Anti-Rape and Anti-Incest Counternarratives: Art in the United States Since the 1960s and in the Wake of the #MeToo Movement / 201 Vivien Green Fryd |
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16 Considering Unseen Violence: Zanele Muholi’s Faces and Phases / 211 Nicole Scalissi |
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Conclusion: Moving Forward—A New Era in Art History / 223 Ellen C. Caldwell, Cynthia S. Colburn, and Ella J. Gonzalez |
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Resource Appendix / 229 |
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List of Contributors / 237 |
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Index / 243 |
Description:
»The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art history field has played in the past and can play in the future in education around gender violence in the arts. It asks art historians, museum educators, curators, and students to consider how, in the time of #MeToo, a public reckoning with gender violence in art can revitalize the field of art history.
Contributors to this timely volume amplify the voices and experiences of victims and survivors depicted throughout history, critically engage with sexually violent images, open meaningful and empowering discussions about visual assaults against women, reevaluate how we have viewed and narrated such works, and assess how we approach and teach famed works created by artists implicated in gender-based violence. «
(Source: Penn State University Press)
Wikipedia:
Art |
Sex and the law:
Sexual violence /
Rape
|